How to · 8 min
Compare, Reference, Sync, and Batch Export
Move from one finished photograph to a coherent body of work.
Work across groups of photographs in your monochrome darkroom. Compare and Reference help you judge relationships, selective Sync Settings carries only the editing groups you choose, and native high-bit Batch Export finishes the set without changing the active Editor workspace.
The method
Step by step.
- For Compare, select exactly two photographs in Library and choose View → Compare Selection. Use Activate Other to choose which side is editable; ratings and navigation follow the active photograph.
- For Reference, open the photograph you want to edit, select a different Library photograph, and invoke Reference Selection. The reference is read only and shows its saved recipe.
- Choose Linked when you want both views to zoom and pan together. Turn it off to inspect each image independently, and use Swap Sides when the visual comparison reads better in reverse.
- To synchronize a look, keep the source photograph open, select destination photographs in Library, and choose Sync Settings. Review the destination count and groups before confirming. Crop, Masks, Spot Remove, and Layout are opt-in; ratings, tags, albums, and IPTC remain photograph-specific.
- For delivery, select photographs in Library and use Export Selected. The background queue uses the same native-resolution, high-bit render path as single-image export, reports progress, and can be cancelled without starting new items.
- Create an Export Preset when a delivery recipe will be reused. It can retain format, JPEG quality or 16-bit TIFF, color space, size, PPI, sharpening, filename, metadata, and destination behavior.
Keep this close
Control reference.
- Compare
- Two Library photographs with one active editable side.
- Reference
- A read-only companion beside the photograph being edited.
- Sync Settings
- Selective transfer of editing groups, with photograph-specific organization protected.
- Batch Export
- Native high-bit background queue with progress, cancellation, and per-item reporting.
At your own pace
Try it.
Finish one car photograph, compare it with a neighboring frame, then synchronize only Development, Light, and Tone Curve. Export both through a saved web JPEG preset and inspect the pair together.
Watch for
Do not include Crop, Masks, Spot Remove, or Layout in a sync merely for convenience. Those corrections are composition-specific unless you deliberately opt them in.
Monochrome Lab Pro workflow guide. Interface details may evolve. Example settings are creative starting points, not automatic corrections.
